Showing Records: 1 - 6 of 6
73 Poems / Goldsmith, Kenneth ; Sackner MA., 1993
Kate Rawlinson, Director of Galleries, acknowledges the "aesthetic insight and generous assistance in bringing this exhibition together." Marvin Sackner contributed an essay describing his relationship as a collector to the artist and his work. Sackner also coins the term Rap Concrete Poetry to describe the work in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
C'est mon dada: JNL Ne Manque Pas D'Or. No.71/May / Jean-Noel Laszlo ; Sackner RK ; Sackner MA., 2012
NRG. No.19 / Beining G ; Bennett JM ; Bennett M ; Smith W ; Sackner MA ; Brannen J ; Lifshin L ; Prost R ; Vandenburgh A., 1982
[On-line work on Jake Berry's 9th St. Laboratories posted June 22, 2007] / Topel, Andrew ; Sackner MA., 2007
On the back cover, Andrew Topel indicates that this book was instigated by a request from Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
The Visual Life of Language / Drucker, Johanna; Sackner RK; Sackner MA; Polansky L; Quentin B; Marinetti FT; Isou I; Phillips T; Furnival J; Jackman S; Genin A; Hartmann W; Mallarme S; Charriere G; Miccini E; Satie A; Badura M; Robinson BL., 1994
This is a copy of Drucker's catalogue essay for the exhibition "Symbols to Stories" at the Centre Gallery, Miami-Dade Community College from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Zwirn: AEIOU & =SOMETIMES= Y. No.4B/Sum / Jim Clinefelter ; Sackner RK ; Sackner MA., 1999
Mention is made that Clinefelter's work is held by the Sackner Archive. With one exception, each page depicts a "...Rorschach Visualization of the Sounds of the Greatest Prominence in most Syllables." -- Source of annotation: Marvin or Ruth Sackner.